One day, in a street of Montpellier, Clara finds an abandoned mirror that has a funny shape. She decides to take it and asked passers to hold the mirror while she takes pictures of them. For her first drawings, she decided not to represent the mirror, leaving the void create the shape. She prefers to concentrate on the person who bears, and make large-scale representations. Thereafter, she finds interesting to represent on the same surface, two fields of visions. She likes to experiment it in outdoor landscape scenes or in more intimate interior scenes. The framing is then refocused on the mirror.