One day, in a street of Montpellier, Clara found an abandoned mirror that had a funny shape. She decided to take it and proceeded to ask passers-by to hold the mirror while she took pictures of them. For her first drawings, she decided not to display the mirror, leaving an empty space to create the shape of the glass. She chose to make large-scale representations and to concentrate on the people holding the mirror. Later on, she found it interesting to represent two fields of visions on the same surface. She liked to experiment in outdoor landscape scenes or in more intimate interior scenes. The framing was then refocused on the mirror.